![]() And with practice, it will become an intuitive part of your design process. I really believe that sketching with warp sett in mind will help improve the way you plan key elements in your pieces. Once you have your design perfected on the graph paper you can transpose it directly onto the warp and start weaving. To help you sketch your own designs I have taken this concept one step further and developed what I call - Weaver’s Graph Paper.Įssentially, it's a precisely lined graph paper that replicates the warp spacing so you can sketch elements of your designs and accurately size and position these elements against the warp. Kaylee and Malcolm described free weaving as a. It inserts that image on a new shuttle, row by row, in between the existing weft rows. Specifically, if maps pixels over predefined threshold as an black or raised warp within the corresponding draft cell. Having defined the warp spacing I was able to map out the angles and curves of the shape while visualizing the placement of weft to achieve symmetry within the design. When the user imports an image, the software creates a draft based on the image. From there I could sketch out and proportion the shape. My first step was to draw up a series of carefully spaced vertical lines to represent my warp sett. ![]() To get this design right and ready for weaving the sizing and placement of the shape against the warp had to be just right. ![]() Cut and paste threading, treadling and tieups between patterns. Copy threading to treadling, 'Tromp as Writ' with a single click. I had the idea when I was developing the shaped weaving blog post. Draw straight lines or free-form pattern lines.
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